Fantastic Landscapes: Hokusai and Hiroshige at The Art Institute of Chicago

 

Left: Katsushika Hokusai. Kirifuri Falls at Mount Kurokami in Shimotsuke Province (Shimotsuke Kurokamiyama Kirifuri no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), about 1833. Clarence Buckingham Collection.

Right: Katsushika Hokusai. Amida Falls in the Far Reaches of the Kisokaidō (Kisoji no oku Amidagataki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), about 1833. Clarence Buckingham Collection.

Courtesy of The Art Institute of Chicago.

 
 
 

FANTASTIC LANDSCAPES

Hokusai and Hiroshige

July 17, 2021 — Oct 11, 2021

In the 19th century, Japanese printmaking saw two concurrent trends: an intensification of color and a rise in the popularity of landscape images.

Capitalizing on these two trends were the most successful print designers of their time, Katsushika Hokusai (1760­–1849) and Utagawa Hiroshige (1797–1858). Their daring color schemes formed fantastic landscapes that fueled worldwide demand for Japanese prints.

Beginning with the widespread use of the chemical pigment Berlin blue in the 1830s, landscapes could be as vibrant as one’s imagination. Brilliant blue waterfalls, jade hills, chartreuse cliffs, and pink skies made up a new palette for the natural world as depicted in print. The popularity of series such as Hokusai’s Thirty-Six Views of Mount Fuji and Hiroshige’s One Hundred Views of Edo did more to spread these images at home, in Europe, and in America than ever before.

This exhibition of works drawn from the Art Institute’s collection showcases a spectacular moment of color in Japanese landscapes—one that would have a lasting impact on artists oceans away.

 
 
 

Click the image below to watch Virtual Member Lecture: Japanese Prints — Hokusai’s Fantastic Landscapes.

 
 
 
 
 
 

Exhibition Preview

 

Utagawa Hiroshige. Awa Province: Naruto Whirlpools (Awa, Naruto no fūha), from the series Famous Places in the Sixty-Odd Provinces (Rokujūyoshū meisho zue), 1855. Frederick W. Gookin Collection.

Katsushika Hokusai. Groups of Mountain Climbers (Shojin tozan), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830/33. Clarence Buckingham Collection.

Katsushika Hokusai. Amida Falls in the Far Reaches of the Kisokaidō (Kisoji no oku Amidagataki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), about 1833. Clarence Buckingham Collection.

Utagawa Hiroshige. Yamashiro Province: The Togetsu Bridge in Mount Arashi (Yamashiro, Arashiyama Togetsukyō), from the series Famous Places in the Sixty-Odd Provinces (Rokujūyoshū meisho zue), 1853. Clarence Buckingham Collection.

Katsushika Hokusai. A Mild Breeze on a Fine Day (Gaifū kaisei), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830/33. Clarence Buckingham Collection.

Katsushika Hokusai. Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830/33. Clarence Buckingham Collection.

Katsushika Hokusai. Kirifuri Falls at Mount Kurokami in Shimotsuke Province (Shimotsuke Kurokamiyama Kirifuri no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), about 1833. Clarence Buckingham Collection.

Katsushika Hokusai. The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830/33. Clarence Buckingham Collection.

Utagawa Hiroshige. Plum Garden at Kameido (Kameido Umeyashiki), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), 1857. Clarence Buckingham Collection.