Hell: Arts of Asian Underworlds at Asian Art Museum

 

Enma-o, king and judge of hell, 1500–1600. Japan, Muromachi period (1392–1573). Wood with gesso and traces of multicolor paint with inlaid glass eyes. 18 1/4 x D. 13 1/4 in. (48.3 x 46.4 x 33.7 cm). Brooklyn Museum, Gift of Mr. and Mrs. H. George Mann, 79.277.

 
 
 

Hell
Arts of Asian Underworlds

 

June 16, 2023 — September 18, 2023

 

Hell: Arts of Asian Underworlds is a rollicking romp through the many ways that Asian visual cultures have imagined the afterlife of the condemned over time. Paintings, sculptures, maps, puppets, and religious objects from India, Tibet, China, Korea, Japan, Indonesia, Thailand, Myanmar, and the Philippines offer a colorful variety of visions of the underworld, ranging from the serious to the light-hearted. “There is a presumption that all representations of Hell across Asian cultures are the same or continuous,” says Jeff Durham, Curator of Himalayan Art at the Asian Art Museum, “but in fact, whether they appear in ancient traditions or the work of contemporary artists, depictions of Hell have been extraordinarily diverse: some are terrifying and gruesome, but many are humorous and playful.”

The exhibition is organized as a journey: beginning at the gates of Hell, the visitor passes through various conceptions of the underworld, finally arriving at depictions of the ways one might potentially make an escape or exit from Hell. “This exhibition is like a rollercoaster,” says Durham, “taking the visitor from excitement to relief; in the end, it shows that Hell is only as bad as we imagine it to be.” The majority of the 48 works on view are on loan from other institutions and collections; of the pieces from the museum collection, several are newly acquired and are being shown here for the first time.

 
 
 

July 9, 2023

The Golden Soirée

Ready for one hell of a good time? Daybreaker is bringing their signature, soul-nourishing mix of love and mischief to the museum with The Golden Soirée, a dance party in honor of Hell: Arts of Asian Underworlds. After touring the exhibition to explore how cultures across Asia imagine the realm of perdition, hit the dance floor to lose yourself in a celebration of being alive. Come dressed as the deity that you are — whether sprinkled in gold or covered in it from head to toe — and enjoy live DJs and yoga instruction, non-alcoholic cocktails courtesy of Parch, superfood-rich snacks from Perfect Bar, and some devilishly fun surprises. 

 
 

Exhibition Preview

 

Memorial portraits of actors Nakamura Utaemon IV, Ichikawa Danjuro VIII, and Bando Shuka II, 1854. Japan, Edo period (1615–1868). Woodblock print (nishiki-e); ink and colors on paper. Triptych: H. 14 3/4 x W. 30 1/2 in. (37.5 x 77.5 cm). Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, 11.19707, 11.21372, 11.25017. Photograph © 2023 Museum of Fine Arts, Boston.

Bima Swarga, approx. 1970, by Wayan Ketig (Indonesian, 1930–2010). Pigment on cloth. Overall: 58 1/16 x 113 11/16 in. (147.5 x 288.8 cm.) Horniman Museum and Gardens, London, 1988.2. Photograph © Horniman Museum and Gardens.

Newly Published Comic Picture of Cats (Shinpan neko no giga), 1883, by Utagawa Yoshifuji (Japanese, 1828–1887). Meiji period (1868–1912). Woodblock print (nishiki-e); ink and colors on paper. H. 14 5/8 x W. 9 13/16 in. (37.2 x 25 cm). Lent by Susan L. and C. J. Peters. Photography by Tom Dubrock.

Gateway tree to the underworld (kayu kepuh) shadow puppet, 1900–1925. Indonesia; Bali. Water buffalo hide, water buffalo horn, pigments, and metal wire. Object without control rod: H. 211/2 x W. 135/8 in. (54.6 x 34.6 cm); object with control rod: H. 28 1/2 x W. 13 5/8 in. (72.4 x 34.6 cm). Yale University Art Gallery, The Dr. Walter Angst and Sir Henry Angest Collection, 2018.130.6.2. Photograph courtesy of Yale University Art Gallery. 

Demons Mistreat Prisoners/Punishment in Hell, approx. 1750. India; Marwar, Rajasthan state. Pigments on paper. Overall: H. 10 3⁄8 x W. 7 7⁄8 in. (26.4 x 20 cm); image: H. 8 3⁄4 x W. 6 3⁄8 in. (22.2 x 16.2 cm). Museum Rietberg, Zurich, RVI 2021.

Even in Hell Money Counts, Bugs in the Food of the Hungry Ghost, 1863–1866, from the series One Hundred Pictures by Kyosai, by Kawanabe Kyosai (Japanese, 1831–1889). Edo period (1615–1868). Woodblock print (nishiki-e); ink and colors on paper. H. 7 3/8 x W. 5 in. (18.7 x 12.7 cm). Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, 11.370. 

Actors in Yanagikaze Fukiya no Itosuji, 1864, by Toyohara Kunichika (Japanese, 1835–1900). Edo period (1615–1868). Woodblock print (nishiki-e); ink and colors on paper. Triptych: H. 14 x W. 29 in. (35.5 x 73.6 cm). Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, 11.41760a–c.

Enma-o, king and judge of hell, 1500–1600. Japan, Muromachi period (1392–1573). Wood with gesso and traces of multicolor paint with inlaid glass eyes. 18 1/4 x D. 13 1/4 in. (48.3 x 46.4 x 33.7 cm). Brooklyn Museum, Gift of Mr. and Mrs. H. George Mann, 79.277.

Punishments in the various Hells, from the Sangrahani Sutra, 1663–1664. India; Gujarat or Rajasthan. Opaque watercolors and ink on paper. Sheet: H. 4 3/8 x W. 10 1/4 in. (11.1 x 26 cm). Philadelphia Museum of Art, Purchased with the Francis T. S. Darley Fund, 1935-34-11 (44a, b). Photograph courtesy of the Philadelphia Museum of Art.

Aspects of Violence (Himsa), 1663–1664. India; Gujarat or Rajasthan. Opaque watercolors and ink on paper. Sheet: H. 4 3/8 x W. 10 1/4 in. (11.1 x 26 cm). Philadelphia Museum of Art, Purchased with the Francis T. S. Darley Fund, 1935, 1935-34-11 (51a, b). Photograph courtesy of the Philadelphia Museum of Art.

Adhai-dvipa: the Two and a Half Continents, the Universe in the Shape of a Person (Lokapurusha), and the Seven Levels of Hell, 1613 (Samvat 160). India; Gujarat. Ink, opaque watercolors, and gold on cloth. H. 33 x W. 61 in. (83.8 x 155 cm). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund, 2018.201.