Iran: Portrait of a Country at Museum Rietberg

 

View of the new interior courtyard of the shrine of Fatima Masuma in Qum, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 20.2 x 26.9 cm, Museum Rietberg, 2023.10.58, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

 
 
 

IRAN

Portrait of a Country

February 29, 2024 — August 4, 2024

 

Museum Rietberg presents the exhibition “Iran – Portrait of a Country” in the Park-Villa Rieter, celebrating the work of the photographer Antoin Sevruguin (1851–1933).

Antoin Sevruguin was born in 1851 to Armenian parents in Iran, he grew up in Tiflis (now Tbilisi), Georgia, and later worked in Tehran. Today, we would call him a “Secondo” (an expression used for and by “second-generation” immigrants in Switzerland); for a long time, he referred to himself as a “Russian photographer.” He spoke Persian, Armenian, Georgian, and probably Azeri (a Turkic language) and advertised himself in French as a “photographe artistique,” but he saw himself as an Iranian.

His goal was to make a portrait of his native country that was as comprehensive as possible. His oeuvre included around 7,000 photographs. During his lifetime, his photographs were already being published in European books; he was awarded gold medals in Brussels and Paris and in 1900 raised to the nobility by the shah in 1900. Artists in Iran still relate to him today.

For many international and Iranian experts, however, Antoin Sevruguin is still a “foreigner,” someone who photographed the country and the people with a “foreign eye.” But is that correct? How can we recognize today whether Sevruguin’s photographs are “exotic,” “oriental,” “ethnographic,” or “Iranian”? Moreover, how did his contemporaries regard his photographs?

Today these photographs tell a story from another time, reporting on splendour and misery, of modernity and poverty, of beauty and wildness—moving, alienating, cheering, and astonishing. But the images also teach us that many can be understood only after taking a second or third look.

The exhibition features 63 photographs from the collection of Museum Rietberg and is accompanied by a brochure in German, French and English.

 
 
 
 
 
 
 
 
 

Exhibition Preview

 
 

Tehran Railway, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 17.2 x 22.6 cm, Museum Rietberg, 2022.428.187, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

 

Portrait of a young woman, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 14.2 x 10.7 cm, Museum Rietberg, 2022.428.45, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

Shrine of Fatima Masuma (d. 817) in Qum, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 27.3 x 21.2 cm, Museum Rietberg, 2023.10.80, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

Handyman, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 19.7 x 11.1 cm, Museum Rietberg, 2023.10.5, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

Portrait of a dervish, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 20.5 x 16 cm, Museum Rietberg, 2022.428.136, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

Double portrait of two girls, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 11.8 x 16.8 cm, Museum Rietberg, 2022.428.134, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

Reclining woman, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 12.9 x 18.9 cm, Museum Rietberg, 2022.428.37, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

“Bazaar in Rasht”, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 17 x 23 cm, Museum Rietberg, 2023.10.94, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich

 

Palace of Kamran Mirza (1856–1929), garden parterre, Antoin Sevruguin, Iran, c. 1880-1896, albumen print, 23 x 17.4 cm, Museum Rietberg, 2023.10.40, Gift of the heirs of Emil Alpiger © Museum Rietberg, Zurich