Love, Fight, Feast: The World of Japanese Narrative Art at Museum Rietberg

 

Scenes along the Shijō Riverbed, Edo period, first half of the 17th century, Two-panel folding screen; ink, color, and gold on paper, 164 × 190 cm, GRASSI Museum für Völkerkunde, Leipzig © GRASSI Museum für Völkerkunde zu Leipzig, Staatliche Kunstsammlungen Dresden, photo: Adrian Sauer

 
 
 

Love, Fight, Feast

The World of Japanese Narrative Art

September 10, 2021 — December 5, 2021

 

Japanese narrative art combines artistic enjoyment and everyday life in a special way. It found expression in a variety of materialities ranging from miniature album leaves, illuminated handscrolls to large folding screens, from exquisite porcelain vases to elaborately crafted gold-lacquer boxes and elegant silk robes.

It is a unique form of Japanese narrative art that takes its inspiration from Buddhism, classic literature, poetry, and theatrical scenes to create rich visual imagery realized in a wide range of media. Quotations from and allusions to heroic epics and romances were disseminated through exquisite paintings, prints, and the decorative arts, and thus became anchored in the collective consciousness. A fascinating narrative space combines artistic enjoyment and refinement of taste.

Featuring over 100 paintings, lacquer and porcelain objects, silk robes, examples of metalwork, color woodblock prints, and illustrated woodblock-printed books created between the 13th and 20th centuries, the exhibition invites the visitors to immerse themselves in the multifaceted, colorful, and imaginative world of Japanese narrative art.

Outstanding artworks are being loaned for the exhibition by some 35 museums and private collections in Switzerland, France, Germany, Italy, Austria, Belgium, the Netherlands, the UK, Ireland, Sweden, Hungary, and Russia. They will be complemented by the Rietberg Museum’s own holdings, which for the first time are also to be displayed in the context of narrative art.

 
 
 
 

Click the image below to watch Symposium on the occasion of the special exhibition, Love, Fight, Feast.

 
 
 
 
 
 
 

Exhibition Preview

 

Studio of Kano Sōshū (1551–1601), The Battle of Ichinotani, Edo period, early 17th century, Six-panel folding screen; ink, color, and gold on paper, 169.8 × 372.3 cm, Museum Rietberg, Zurich, photo: Rainer Wolfsberger

Hosoda Eishi (1756–1829), Young Woman Dreaming of The Ise Stories, Edo period, ca. 1795–1818, Hanging scroll; ink, color, and gold on silk, 88,7 × 31,2 cm, The British Museum, London © The Trustees of the British Museum

Ganshōsai Shunsui (1822–1880), Four-Tiered inrō with Design of Taira no Yoshimitsu Teaching Toyohira Tokiaki to Play the Mouth Organ on Mount Ashigara, Edo period, late 19th century, wood, gold and silver maki-e, inlay with abalone shell on black lacquer ground, 9 × 7.6 × 1.9 cm, Fondation Baur – Musée des Arts d’Extrême Orient, Geneva © Fondation Baur, photo: Studio Gérard

Utagawa Kuniyoshi (1797–1861), The Earth Spider Conjures Up Demons at the Mansion of Minamoto no Raikō, Edo period, 1843, woodblock print, triptych; ink and color on paper, 34.6 × 72.7 cm, Victoria and Albert Museum, London © Victoria and Albert Museum

Women’s Unlined Long-Sleeved Kimono (furisode) with Courtly Motifs, Edo period, mid-18th century, silk gauze, yūzen paste-resist dyeing, silk thread embroidery, 127 × 96 cm, Museo d’Arte Orientale, Venice © Venezia, Museo d’Arte Orientale – Direzione regionale, Musei Veneto, “su concessione del Ministero per i beni e le attività culturali e per il turismo”

Tosa School, Chapter 34, “Early Spring Greens: Part I” (Wakana [jō]) from The Tale of Genji, Edo period, early 17th century, Album page; ink, color, and gold on paper, 21 × 17.6 cm, Museum Rietberg, Zurich, photo: Rainer Wolfsberger

Tsukioka Yoshitoshi (1839–1892), Taira no Kiyomori Seeing the Skulls of His Enemies in the Snowy Garden, from the Series A New Selection of Strange Events, Meiji period, 1882, woodblock print, triptych; ink and color on paper, 36.4 × 73.8 cm, Museum Rietberg, Zurich, photo: Rainer Wolfsberger

The Tale of the Monkeys, detail, Muromachi – Momoyama periods, 1560s–1580s, Handscroll; ink, color, and gold on paper, 30.9 × 1329.4 cm, The British Museum, London © The Trustees of the British Museum

Scene 30 from Chapter 10, “A Branch of Sacred Evergreen” (Sakaki) from the “Moriyasu Handscrolls” of The Tale of Genji, Edo period, after 1655, Framed fragment of a handscroll;
ink, color, and gold on paper, 35.5 × 136.5 cm, Private collection, photo: Morio Kanai, 2019