Stories of Paper at Louvre Abu Dhabi

 

KATSUSHIKA HOKUSAI
(Edo, 1760–1849)
Storm Below the Summit [Sanka hakuu], from the series Thirty-Six Views of Mount Fuji
[Fugaku sanjūrokkei]
Japan, late 1831
Woodblock print (nishike-e)
H. 26; W. 38.7 cm
Louvre Abu Dhabi, LAD 2020.090
Photo credit: ©Department of Culture and Tourism – Abu Dhabi. Photo: Sylvie VanRoey

 
 

Stories of Paper

April 20, 2022 — July 24, 2022

 

Lighter than clay or bamboo and less expensive than silk or parchment, paper is one of humanity’s humblest but most profound inventions. From the first century to the present and from ancient Asia to Europe and contemporary Arabia, Stories of Paper examines the rich artistic legacy of this fragile material that not only became indispensable for record-keeping and trade but has proved essential to cultural interaction and intellectual exchange for two millennia.

Created in partnership with the Musée du Louvre and in collaboration with France-Muséums as well as several leading international institutions and private collections, Stories of Paper explores the special material’s qualities: uniquely suited to recording, remembering, and re-production, paper manages to be simultaneously fragile and malleable, light-sensitive and resilient.

Featuring more than 100 objects, Stories of Paper includes Katsushika Hokusai’s renowned Kanagawa-oki Nami Ura (The Great Wave off Kanagawa), The Labyrinth, a colossal maze made from sinuous ribbons of corrugated cardboard by the Italian conceptual artist Michelangelo Pistoletto, traditional paper clothing and a reconstruction of a room from a Korean paper house, masterworks by Antonio Pisanello and Pablo Picasso, alongside paper-based artworks by Hassan Sharif, Abdullah Al Saadi and Mohammed Kazem, pioneers of Emirati conceptual art.

Visit today and learn how, even as digital technologies threaten to make paper obsolescent, this most universal of media continues to occupy an essential place in contemporary creativity, inquiry, and self-expression.

 
 
 
 
 
 
 

Exhibition Preview

 

Katsushika Hokusai (1760 – 1849)
Under the Wave off Kanagawa [Kanagawa oki nami ura], from the series Thirty-Six Views of Mount Fuji [Fugaku sanjurokkei]
Japan, c. 1830
Woodblock print (nishike-e)
H. 25.7; W. 38.1 cm
Louvre Abu Dhabi, LAD 2020.91
Photo credit: © Department of Culture and Tourism – Abu Dhabi. Photo: Ismail Noor / Seeing Things

Lotus Sutra of the Good Law [Miao fa lian hua jing]
Chinese translation by Kumārajīva of the Saddharmapundarīka-sūtra
China, c. 1590
Manuscript in seven parts; brush and gold ink on dark indigo paper
H. 36; W. 12 cm (each page) and H. 36; W. 1920 cm (first part)
Paris, Musée National des Arts Asiatiques – Guimet, BG 28828
Photo credit: ©RMN-Grand Palais (MNAAG, Paris) / Thierry Ollivier

Sadiqi Beg (Tabriz, Iran, 1533/1534-Isfahan, Iran, 1609/1610)
Youth in a Landscape, single album page
Iran, Isfahan, c. 1590
Reed pen, brush; ink, pigments, and gold on paper
H. 34.5; W. 22 cm
Louvre Abu Dhabi, LAD 2020.130
Photo credit: ©Department of Culture and Tourism – Abu Dhabi. Photo: Sylvie VanRoey

Purple Quran
Tunisia, c. 1405
Silver ink and red ink on purple-dyed paper, 79 
H. 17.5; W. 11 cm
Paris, Bibliothèque Nationale de France, Department of Manuscripts, Arabe 392, f. 25v and 26r
Image credit : ©Paris, Bibliothèque nationale de France

Purple Quran
Tunisia, c. 1405
Silver ink and red ink on purple-dyed paper, 79 
H. 17.5; W. 11 cm
Paris, Bibliothèque Nationale de France, Department of Manuscripts, Arabe 392, f. 25v and 26r
Image credit : ©Paris, Bibliothèque nationale de France

Hanging of a Kakemono
ISODA KORYUSAI (active from 1764–1788)
Japan, Edo period (1603–1868)
Woodblock print (nishike-e)
H. 26; W. 19.1 cm
Paris, Musée National des Arts Asiatiques – Guimet,
EO 1907
Photo credit: ©RMN-Grand Palais (MNAAG, Paris) / image RMN-GP

Portrait of the Painter Mir Musavvir Holding a Petition and Portrait of an Anonymous Scholar, single album page
Formerly attributed to MIR SAYYID ‘ALI (c. 1510–1572) and LA’L (active c. 1570–1604)
India, late 16th century; restorations in Iran, 19th century
Colors, ink, and gold on paper; colored or marbled paper (framing strips and margin)
H. 23.7; W. 36 cm (page)
Paris, Musée du Louvre, Department of Islamic Art,
OA 3619 i (verso)
Photo credit: ©RMN-Grand Palais (musée du Louvre) / Mathieu Rabeau

Munāğāt ʿAlī, page of an embossed calligraphy album
Iran, second half of the 18th century
Fingernail embossed paper: Laka l-hamdu yā dā l-Maǧd wa l-ǧūdi wa l- ʿulá  لك الحمد ياذا المجد والجود والعلى 
H. 35.5; W. 22 cm
Paris, Bibliothèque Nationale de France, Department of Manuscripts, Arabe 6870, f. 28v
Image credit: © Paris, Bibliothèque nationale de France

Pedanius Dioscorides (Anazarbus, modern Turkey, 40–90 CE)
Folio from De Materia Medica, a pharmacopeia of plants, translated from Greek to Arabic
Iraq, Baghdad, 13th century
Ink and paint on paper
H. 25; W. 16.8 cm
Louvre Abu Dhabi, LAD 2016.002
Photo credit: ©Department of Culture and Tourism – Abu Dhabi. Photo: Herve Lewandowski

MIR ALI HARAVI (Herat, Afghanistan, 1465–Bukhara, Uzbekistan, 1544), calligraphy
SANG ‘ALI BADAKHSHI, decoupage
Cut-out paper calligraphy album
Iran or Uzbekistan, first half of the 16th century
Ink, colors, and gold on paper
12 cardboard pages mounted in a leporello
H. 15.5; W. 24 cm
Paris, Musée du Louvre, Department of Islamic Art, MAO 2286
Photo credit: ©RMN-Grand Palais (musée du Louvre) / Hervé Lewandowski

KATSUSHIKA HOKUSAI
(Edo, 1760–1849)
Storm Below the Summit [Sanka hakuu], from the series Thirty-Six Views of Mount Fuji
[Fugaku sanjūrokkei]
Japan, late 1831
Woodblock print (nishike-e)
H. 26; W. 38.7 cm
Louvre Abu Dhabi, LAD 2020.090
Photo credit: ©Department of Culture and Tourism – Abu Dhabi. Photo: Sylvie VanRoey

Attributed to HUI NENG (638–713)
The Sixth Patriarch’s Dharma Jewel Platform Sutra [六祖大師法寶壇經. 륙조대사법보단경, Liu zu da shi fa bao tan jing. Lyuk čo dä sa pōp po dan kyon]
Korea, 1370
Book of 64 folios, woodblock printing on hanji paper
H. 22.6; W. 15.1 cm
Paris, Bibliotheque Nationale de France, Department of Manuscripts, Coréen 110, f. 13v–14r
Image credit: © Paris, Bibliothèque nationale de France

Full-scale model of a traditional Korean house interior, around 20 square meter floorplan with 2.5-meter ceiling
Design: City Council of Jeonju in collaboration with Le Koji; financing and onsite construction: City Council of Jeonju, South Korea
Photo credit: ©Design W.C JEONG of “Le Koji”, in collaboration with City Council of Jeonju