Underdogs and Antiheroes: Japanese Prints from the Moskowitz Collection at the Smithsonian’s National Museum of Asian Art

 

Clearing Weather in the Back Field (Uratanbo no seiran): Ichikawa Kodanji IV as Danshichi Kurobei (R), Kataoka Gadō II as Issun Tokubei, and Nakayama Ichizō I as Mikawaya Giheiji (L), from the series Eight Views of the Floating World (Ukiyo hakkei no uchi)
Edo period, 1855, 4th month
Japan
Woodblock print; ink and color on paper
H x W (right): 35.9 × 25.2 cm (14 1/8 × 9 15/16 in); H x W (left): 35.9 × 25 cm (14 1/8 × 9 7/8 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.488a-b

 
 

Underdogs and Antiheroes

Japanese Prints from the Moskowitz Collection

March 19, 2022 – January 29, 2023

 

Expect the unexpected. The exhibition Underdogs and Antiheroes: Japanese Prints from the Moskowitz Collection focuses on the captivating stories and urban legends of individuals living on the fringes of society in early modern Japan. Key subjects in theater, literature, and visual arts reveal antiheroes and underdogs whose virtues are often embodied by their rejection of societal norms, making them misfits and moral exemplars at the same time. The exhibition will follow virtuous bandits, tattooed firemen who love to fight, rogues from the kabuki theater, and others.

Highlighting the transformative gift of the Pearl and Seymour Moskowitz Collection to the National Museum of Asian Art, Underdogs and Antiheroes features subjects that are not commonly associated with traditional Japanese print culture but were nevertheless central to the interests of an early modern public. The exhibition will explore new visual and thematic ground, further strengthening the museum’s trailblazing role in reconsidering presentations of Asian cultures.

 
 
 
 
 
 
 
 

Exhibition Preview

 

Fashionable Three Kingdoms (Mitate Sangoku-shi): Sakaigawa (R), Iōzan (C), and Unryū (L)
Edo period, 1858, 2nd month
Japan
Woodblock print; ink and color on paper
H x W (right): 36.2 × 24.7 cm (14 1/4 × 9 3/4 in); H x W (center): 36.2 × 25.2 cm (14 1/4 × 9 15/16 in); H x W (left): 36.2 × 24.7 cm (14 1/4 × 9 3/4 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.539a-c

Ruan Xiaowu, the Short-lived Second Son (Tanmeijirō Genshōgo), from the series One Hundred and Eight Heroes of the Popular Water Margin (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori)
Edo period, 1827-1830
Japan
Woodblock print; ink and color on paper
H x W (overall): 39.4 × 26.6 cm (15 1/2 × 10 1/2 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.584

Man (10,000; = Ra) Brigade, First Group, Banchō: Actor Arashi Kichisaburō III as Asayama Tetsuzan, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishō-e)
Edo period, 1863, 3rd month
Japan
Woodblock print; ink and color on paper
H x W (overall): 35.4 × 23.4 cm (13 15/16 × 9 3/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.511

Ri Brigade, Tenth Group, Asajigahara: Actor Onoe Kikujirō II as the Poor Girl of the Lonely House (Hitotsuya no shizunome), from the series Flowers of Edo and Views of Famous Places (Edo no hana meishō-e)
Edo period, 1862, 4th month
Japan
Woodblock print; ink and color on paper
H x W (overall): 35.6 × 24.3 cm (14 × 9 9/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.517

Tadamori and the oil lamp monk
Edo period, ca. 1838-1841
Japan
Woodblock print; ink and color on paper
H x W (overall): 37 × 24.8 cm (14 9/16 × 9 3/4 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.589

Taira no Tadamori
Edo period, late 1810s
Japan
Woodblock print; ink and color on paper
H x W (overall): 37.7 × 25.4 cm (14 7/8 × 10 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.476

Aioi Matsugorō
Edo period, 1860s
Japan
Woodblock print; ink and color on paper
H x W (right): 35.8 × 23.7 cm (14 1/8 × 9 5/16 in); H x W (center): 35.8 × 24.6 cm (14 1/8 × 9 11/16 in); H x W (left): 35.8 × 24 cm (14 1/8 × 9 7/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.354a-c

Danshichi Kurobei (R), Issun Tokubei (C), and Tsuribune no Sabu (L) in A Summer Festival’s Chivalrous Men (Natsu matsuri kyōfuden)
Edo period, 1850, 5th month
Japan
Woodblock print; ink and color on paper
H x W (right): 26 × 19.5 cm (10 1/4 × 7 11/16 in); H x W (center): 25.9 × 19.4 cm (10 3/16 × 7 5/8 in); H x W (left): 26.1 × 19.3 cm (10 1/4 × 7 5/8 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.59a-c

Present Day Water Sports (Tōsei suikoden)
Edo period, 1863, 7th month
Japan
Woodblock print; ink and color on paper
H x W (each sheet): 35.6 × 24.2 cm (14 × 9 1/2 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.617a-c

Sumo wrestlers Ōnaruto and Nishinokai with referee Shikimori Inosuke and judge Takasago
Edo period, 1866, 9th month
Japan
Woodblock print; ink and color on paper
H x W (right): 36.5 × 25.4 cm (14 3/8 × 10 in); H x W (center): 36.5 × 25.5 cm (14 3/8 × 10 1/16 in); H x W (left): 36.5 × 25.4 cm (14 3/8 × 10 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.480a-c

Sumo wrestlers outside a shrine
H x W (overall): 36.5 × 76.5 cm (14 3/8 × 30 1/8 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.588a-c

Mu Chun and Xue Yong (Shōsaran Boku Shun, Byōtaichū Setsu Ei) from the series One Hundred and Eight Heroes of the Popular Water Margin (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori)
Edo period, 1827-1830
Japan
Woodblock print; ink and color on paper
H x W (overall): 37.8 × 25.6 cm (14 7/8 × 10 1/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.587

Asaina Tōbei
Edo period, 1858, 10th month
Japan
Woodblock print; ink and color on paper
H x W (right): 36.1 × 25.5 cm (14 3/16 × 10 1/16 in); H x W (center): 36.2 × 24.7 cm (14 1/4 × 9 3/4 in); H x W (left): 36.2 × 24.7 cm (14 1/4 × 9 3/4 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.648a-c

Iwai Kumesaburō III as Natsume Kozō Shinsuke, from the series A Modern Suikoden (Kinsei Suikoden)
Edo period, 1861, 7th month
Japan
Woodblock print; ink and color on paper
H x W (overall): 37.2 × 25.6 cm (14 5/8 × 10 1/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.506

Lu Zhishen, the Tattooed Priest (Kaoshō Rochishin), from the series em>Mirror of Heroes of the Suikoden (Suikoden gōketsu kagami)
Edo period, 1856, 12th month
Japan
Woodblock print; ink and color on paper
H x W (overall): 37.2 × 25.5 cm (14 5/8 × 10 1/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.614

White Streak in the Waves Zhang Shun (Rorihakuchō Chōjun), from the series One Hundred and Eight Heroes of the Popular Water Margin (Tzūzoku Suikoden gōketsu hyakuhachinin no uchi)
Edo period, 1845-1847
Japan
Woodblock print; ink and color on paper
H x W (overall): 24.9 × 18.6 cm (9 13/16 × 7 5/16 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.583

Urawa: Uoya Danshichi, from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi)
Edo period, 1852, 5th month
Japan
Woodblock print; ink and color on paper
H x W (overall): 36.3 × 24.7 cm (14 5/16 × 9 3/4 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.594

Firefighters Climbing Ladders at the First Event of the Year (Shōbō-gumi hatsude hashigo nori no zu)
Meiji era
Japan
Woodblock print; ink and color on paper
H x W (each sheet): 36.8 × 24.7 cm (14 1/2 × 9 3/4 in)
The Pearl and Seymour Moskowitz Collection
Arthur M. Sackler Gallery
S2021.5.551a-c